[Englmajors] ENGL 358 and ENGL 440
Bridget Norquist
bridget at u.washington.edu
Mon May 18 14:01:07 PDT 2009
Dear English Majors,
We now have course descriptions for two great classes offered during
Fall Quarter 2009. ENGL 358 is a Histories of Language and Literature
course, and ENGL 440 is a Senior Capstone course. If you are pursuing
an English Language Arts Endorsement, both of these classes meet the
"Diverse World Literatures" requirement as well. If you have any
questions about our Fall Quarter course offerings, feel free to contact
the English Advising Office.
Engl. 358: Reading Twentieth-Century African American Literature,
Professor Habiba Ibrahim
This course is an introduction to some of the theoretical, cultural and
political contexts of twentieth-century African American literary
production. Spanning from the beginning of the twentieth century to the
“postmodern” period of the 1980s and 90s, our goal will be to examine
how various authors respond to the paradigms of an African American
literary tradition. In part, we will trace concerns over aesthetics,
defining black identity and the meaning of community. We will also be
attentive to how questions of race intersect with concerns over gender,
sexuality, class and nationality. In addition to a course packet, texts
might include: Booker T. Washington, Up from Slavery; Ralph Ellison,
Invisible Man; James Baldwin, Giovanni’s Room; Octavia Butler, Kindred;
Andrea Lee, Sarah Phillips; George C. Wolfe, The Colored Museum; Danzy
Senna, Caucasia.
Engl. 440: Black Literary Studies Post Civil Rights, Professor Habiba
Ibrahim
What cultural, theoretical and political trends inform black literary
production at the end of the twentieth century, or in the eras through
out the civil rights movement, the black cultural nationalist movements
of the late 1960s and 1970s, and integration? In this seminar, we will
consider the political and institutional demands of formalizing the
discipline of black literary studies in the academy, and the manner in
which interdisciplinary approaches have transformed methods for reading
black literature and culture. A consistent concern will be the stakes
and criteria for producing, evaluating, and critiquing various forms and
genres of black literary expression. Many of the critical and literary
texts to be considered make self-conscious efforts to define the
intellectual and political stakes for black cultural production, the
meaning of black identity, and the conditions of community. Texts might
include: Burgett and Hendler, Keywords for American Cultural Studies;
Madhu Dubey, Signs and Cities: Black Literary Postmodernism, Winston
Napier, African American Literary Theory: A Reader; Chester Himes, The
End of a Primitive; James Baldwin, Another Country; Alice Walker,
Meridian; Octavia Butler, Kindred; August Wilson, Fences; Lorene Cary,
Black Ice; Barack Obama, Dreams from My Father.
--
Bridget Norquist
Academic Adviser
ENGLISH
ph: 206-543-2634
fax: 206-616-9318
English Advising Office Hours
Mon, Tue, Fri 9:00am - 4pm
Wed and Thurs 9:00am - 7pm
http://depts.washington.edu/engl
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